“Allegorical and Absolutely Human.” Megan Hunter and I discuss minutes, disaster, and her novel The End We Start From (Grove Atlantic, 2017) at Propeller Magazine. Click here to read more.
“Allegorical and Absolutely Human.” Megan Hunter and I discuss minutes, disaster, and her novel The End We Start From (Grove Atlantic, 2017) at Propeller Magazine. Click here to read more.
My piece about the rise of literary vinyl records appears in the May/June 2018 issue of Poets & Writers. “Even as music streaming dominates as a listening format, Third Man Books and Fonograf Editions aim for a literary listening experience that is both meaningful and tangible, that necessitates the physicality and fuller sound of a vinyl record.” To read a brief history of literary vinyl and learn about the beginning of audiobooks, please click here.

This morning, Entropy featured my interview “The Mythology of Motherhood: Leni Zumas on Red Clocks.” To read our conversation about womanhood, identity, and freedom in Zumas’s internationally-acclaimed novel Red Clocks, please click here.
My novel-in-progress From the Bluffs is a semifinalist in the national 2017 William Faulkner – William Wisdom Creative Writing Competition. To view the complete list of winners and finalists, please click here.
My flash fiction “Rock, Inside of” has been accepted for the Unchaste Anthology, Volume II. The anthology is dedicated to writing by women, curated by women, and open to all. Look for the anthology at Wordstock 2017.
I was recently interviewed for Episode 3 of Lit Mag Love. The podcast is produced by Room Magazine, Canada’s longest-running feminist literary journal, publishing fiction, poetry, creative nonfiction, art, interviews, and book reviews for over forty years.
The Yalobusha Review has accepted my experimental short story “Termites” for publication in its YR:25 issue. Click here to read “Termites.”
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